MISATTRIBUTED
“You cannot swim for new horizons until you have courage to lose sight of the shore.”
- Commonly attributed to: William Faulkner, André Gide, Christopher Columbus
- Actual source: André Gide, Les Faux-Monnayeurs (The Counterfeiters), 1925: ‘On ne découvre pas de terre nouvelle sans consentir à perdre de vue, d’abord et longtemps, tout rivage.’ The ‘swim for new horizons’ wording is an anonymous English mutation; no occurrence in Faulkner’s works has ever been produced.
- Earliest verified appearance: 1925 — André Gide, Les Faux-Monnayeurs: ‘On ne découvre pas de terre nouvelle sans consentir à perdre de vue, d’abord et longtemps, tout rivage’ (‘One doesn’t discover new lands without consenting to lose sight, for a very long time, of the shore’). — Wikiquote: André Gide
- Where the misattribution started: The ‘swim for new horizons’ rewording circulates under William Faulkner’s name on quote sites (Goodreads, BrainyQuote) since at least the late 2000s; the same family is also misattributed to Christopher Columbus.
- Confidence: Medium · Last verified: July 2026
The verdict: Faulkner never wrote this: it is a reworded English mutation of André Gide’s 1925 line in The Counterfeiters about losing sight of the shore to discover new lands.
Every claim above links to a primary source I checked myself. How I verify quotes →
The Courage to Venture Beyond: Faulkner’s Philosophy of Risk and Growth
The Origins of Courage and Adventure
William Faulkner, the legendary American novelist born in 1897 in Mississippi, crafted one of literature’s most enduring metaphors about courage and growth. He observed that “You cannot swim for new horizons until you have courage to lose sight of the shore.” This quote encapsulates a philosophy that defined both Faulkner’s literary approach and his personal life. It reflects the necessity of abandoning safety and certainty in pursuit of meaningful achievement. While the exact origin of this quote remains somewhat murky, it emerged during Faulkner’s most productive period as a writer. At this time, he was experimenting with revolutionary narrative techniques. These techniques fundamentally transformed American literature. The quote reflects a mindset that was central to Faulkner’s creative process. He believed that art, like life itself, requires the willingness to venture into uncharted territory.
Faulkner’s life was anything but conventional. It was marked by restlessness, ambition, and a constant desire to push boundaries. Born William Cuthbert Falkner in New Albany, Mississippi, he grew up in a family with complex ties to the American South’s ante-bellum past. His great-grandfather, Colonel William Clark Falkner, was a controversial figure. He was a Confederate officer, railroad builder, and author. His legacy loomed large over the family identity.
Young William adopted this ancestral mystique and added a “u” to his surname. This partly distinguished him from his family and partly created a more aristocratic impression. He spent much of his youth in Oxford, Mississippi, a college town that would become the inspiration for his fictional creation, Jefferson. This fictional town served as the central location of his most important novels. This deep rootedness in Southern culture paradoxically freed Faulkner to critique and reimagine it. Much like one must understand the shore before having the courage to leave it.
Understanding the Swimming Metaphor Quote
Before becoming one of America’s greatest novelists, Faulkner worked a series of unconventional jobs. These jobs revealed his restless nature and determination to forge his own path. He served briefly in World War I, fabricating his war record to enhance his mystique. He claimed to have been a pilot when he had actually served as a cadet in the Royal Air Force with minimal combat experience. After the war, he worked as a carpenter, a stevedore, and a mailman. He was fired from the mailman position for negligence. He also worked briefly as a feature writer for The New Orleans Times-Picayune.
During this period, he experimented with poetry and shorter fiction. He published a collection of verse that received little attention. These early struggles taught Faulkner that artistic success required abandoning conventional notions of success and stability. His willingness to fail demonstrated the very principle embedded in his famous quote. He worked menial jobs while pursuing his art and reinvented himself repeatedly. All of this showed his courage to lose sight of the shore.
The literary innovations Faulkner developed during the late 1920s and 1930s exemplified his philosophy of courageous experimentation. He published “The Sound and the Fury” in 1929, followed by “As I Lay Dying” in 1930. He employed stream-of-consciousness narrative techniques, fragmented chronology, and multiple unreliable narrators. These techniques were radical for their time. These novels essentially left behind the safe harbor of conventional narrative structure. They ventured into stylistic experimentation that confused many readers and critics initially. Faulkner refused to provide explanatory footnotes or guideposts. Instead, he demanded that readers navigate the text as one might navigate unknown waters. This artistic courage was not mere technical display. It emerged from his conviction that only by abandoning familiar literary conventions could he capture something essential. He sought to capture the interior complexity of human consciousness. He also wanted to explore the moral ambiguities of Southern society.
How Losing Sight of Shore Transforms Lives
What many people don’t realize about Faulkner is that his personal life embodied the same risk-taking philosophy he advocated in his writing. He struggled with alcoholism throughout much of his adult life. This addiction both fueled and nearly destroyed his career. Despite this battle, he continued working with ferocious intensity. He often completed major works while simultaneously battling his demons. He also maintained a deep commitment to his native Mississippi. He could have easily relocated to more prestigious literary centers like New York or Paris.
Instead, he chose to write about the South from within it. He risked obscurity and misunderstanding rather than chasing easier commercial success. Furthermore, Faulkner was a dedicated aviator who piloted his own aircraft. This was another manifestation of his willingness to embrace risk and lose sight of the shore. He pursued freedom and new perspectives through flying. This personal investment in risk-taking gave his philosophical statements about courage authentic weight. Merely theoretical pronouncements could never achieve this authenticity.
The quote gained significant cultural resonance following Faulkner’s receipt of the Nobel Prize for Literature in 1950. This honor validated his artistic risks and brought him international recognition. In his Nobel Prize acceptance speech, Faulkner articulated a vision of literature’s purpose. This vision complemented the message embedded in the shore and horizon quote. He argued that writers must write about the human soul and its conflicts. They should not merely chronicle surface events. He believed that literature’s ultimate goal is to help humans endure and prevail. This broader philosophy established Faulkner as not just a technical innovator. He was also a moral thinker concerned with how artistic courage serves deeper human purposes. The quote subsequently appeared in motivational contexts, commencement addresses, and self-help literature. Sometimes it appeared detached from the complex artistic and philosophical vision that gave it meaning.